An out-of-this-world campaign

“The alien's fascination with the car isn't just about
showcasing features – it's about bringing joy and surprise back to automotive storytelling.”

Nicholas Bakshi, BETC Creative Director.

WATCH THE FRENCH VERSIOn

CITROËN PUTS A TWIST ON A CLASSIC SCI-FI TROPE IN OUT-OF-THIS WORLD NEW CAMPAIGN FOR ë-C4

In a segment where premium automotive campaigns often prioritize sophistication over
entertainment, Citroën breaks new ground with a delightfully unexpected narrative for the new ë-C4. This cinematic campaign, directed by acclaimed filmmaker Gary Freedman, reimagines the
beloved alien-meets-human story with a twist that perfectly captures the brand's playful spirit.

The film follows a compassionate young woman who risks everything to help her friend, a stranded alien, return to his ship. As military helicopters circle and government SUVs give chase, their journey in the ë-C4 becomes a tender story of trust and connection – until our alien friend reveals their true intentions in an unprecedented act of automotive desire.

"We wanted to play with classic sci-fi tropes as much as the audience's emotions," explains Federico Goyret, CMO of Citroën. "You watch this wonderful relationship develop, see them working together to reach the mothership, and just when you think you know where the story is going – our adorable alien pulls off the ultimate betrayal, choosing the comfort of the ë-
C4 over their trusted human friend. It's heartbreaking and hilarious all at once.
"

This campaign marks a significant shift in the automotive industry's approach to communications. "With European manufacturers finally making the right electric products to reach people's expectations in terms of sustainability, we're seeing a move away from apologetic messaging toward pure entertainement" notes Nicholas Bakshi, BETC Creative Director. "The alien's fascination with the car isn't just about showcasing features – it's about bringing joy and surprise back to automotive storytelling."

The film's sound design plays a crucial role in building its emotional depth. The original score, composed by a protégé of Hans Zimmer, masterfully balances wonder with suspense. Meanwhile, the alien's unique language and the film's immersive soundscape were crafted by Wave Studios, fresh from their Academy Award-winning work on "The Zone of Interest". The adorable alien itself was brought to life by the team at Artem SFX in London, whose practical effects expertise created a creature that feels both otherworldly and absurdly cute.

"We're creating a universe around this story," adds Goyret. "Though we should mention that we don't actually condone grand theft auto – even by extraterrestrial beings with irresistible
puppy-dog eyes.
"

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Behind the scenes

Whether you're planning an intergalactic journey or just the morning commute, the new Citroën ë-C4
stands ready to provide what might just be the most comfortable ride in the universe.
Though we strongly suggest you keep a close eye on any adorable aliens you meet along the way – no matter how trustworthy they seem.

Broadcasting

Produced by VERY/CONTENT (LA\PAC),
the campaign will be deployed across television, digital platforms, and social media, supported by print and outdoor executions that capture the film's most poignant moments. It will also extend beyond traditional channels through an extensive digital ecosystem.

SOME

The adventure will unfold in a vast digital universe, where our extraterrestrial friend Mike, as he’s affectionately called, will share engaging content, even introducing the ë-C4 to his new human friends at Citroën dealerships. More than just an advertising extension, this is a brand-new narrative, imagined and designed by BETC Fullsix, evolving across social media with a fresh approach that pushes the boundaries of traditional 360° advertising campaigns.

SOME

The adventure will unfold in a vast digital universe, where our extraterrestrial friend Mike, as he’s affectionately called, will share engaging content, even introducing the ë-C4 to his new human friends at Citroën dealerships. More than just an advertising extension, this is a brand-new narrative, imagined and designed by BETC Fullsix, evolving across social media with a fresh approach that pushes the boundaries of traditional 360° advertising campaigns.
Project photo
Project photo

YOUTUBE CONTENT

The campaign will also run across digital platforms, with specially designed 6 seconds bumper ads for YouTube to maximize impact.
Project photo
Project photo

Citroën Team

Federico Goyret : SVP Global Marketing and Communications Citroёn
Fabian Rodriguez : Global Brand Content and Digital Director
Sylvain Peraldi : Head of Brand Content
Véronique Le Tallec : International Advertising Manager
Alexandre Echaudemaison : Head of Social Media

BETC Team

Bertille Toledano : President BETC
Mehdi Benali : Managing Director
Benjamin Merllié : Deputy Managing Director
Benjamin Fleming : Associate Director
Manon Mangaud : Account Director
Lorene Emprin : Account Manager
Alexandre Copin : Assistant Account Manager
Stéphane Xiberras : President & Chief Creative Officier
Nicholas Bakshi : Creative Director
Olivier Mille : Copywriter
Morgane Alexandre : Art Director
Anthony Tavares : Graphic Designer
Kemi Zinsou, Nathalie Sanseigne : Creative Ressources Coordinators
Magalie Dauleu, David Green : Creative Producers
Cyrielle Moustin : Agency Post Producer
Etienne Averseng, Chloé Wren : Strategic Planners

SOME BETC Fullsix
Team

Rodolphe Marcotte : Associate Creative Director
Marcus Thouant : Lead Motion & Creative Makers
Alexia Jalouneix : CopyWriter
Guillaume Simonneau : Art Director
Laure-Astrid Ntsiba : Creative Maker
Quentin Lanoizelet : Social Media Creative Lead
Oscar Peteil : Account Manager
Grégoire Krimianis : Project Manager
Thomas Recouderc-Meunier : Digital Producer
Donatien Guepratte : Digital Producer
Vincent Lataste : Motion Designer

Production Team

Very Content : Production company
Gary Freedman : Director
Hélène Ségol, Eric Lipchitz, Jérome Denis : Executive Producers
Aurélia Lafaye : Line Producer
Marie Mezeray : Production Coordinator
Khalid Mohtaseb : Director of Photography
Didier Mallet : 1st Assistant Director
Jehan Bouazza : VFX Supervisor
Division : Executive Service Production
Artem : Animatronic Studio
Mathematic : Post-production House
Françoise Hernandez : Post Producer
Adam Spivey, Quentin Kwiatkowski : Editors
Arnaud Sourdeau : VFX Producer
Mathieu Caplanne : Colorist
Seril Farran, Adam Ghoubali : BETC Music Supervisor
GUM : Sound Studio
Sidney Guillen : Head of Production
Marion Torreilles, Athénaïs Rubio : GUM Producers
Marc Eres : GUM Sound Engineer
Wave Studios : Sound Design Studio
Ben Gulvin : Wave Studios Sound Designer
Phoebe Baltaza : Wave Studios Audio Producer

Music

Nathan Stornetta, Martin Batchelar : Music Composer
“EC4 Goodbye My Friend” : Music Title
Jamais 203 - GUP : Music Edition
“Brazil” interpreted by PINK MARTINI : Music Title
Ary Barroso by SK Russell : Music Composer
SK Russell : Adaptation
Irmaos Vitale SA Industria E Comercio : Music Edition

Mike became Saleman